Edward D'Amato. Wednesday, March 16 Torino was the center of a national holiday: White Night, open shops, events and people everywhere. While heaps of people thronged to see Piazza Vittorio Roberto Vecchioni, recently won the San Remo, and the stands were taken by storm, in Piazza Castello six children were literally going to delirium in the rain a hundred people. Check with a little 'distrust in front of the stage, thinking that I had in front of the group usually trivial, but here's the surprise: no guitar, and the singer is not there! (Will come, but only for two songs). On the other hand I see clarinets, bagpipes, flutes, saxophones, accordions, bass, percussion and piano, which combined together, give life to a sophisticated medley, but a unique sound that really like. Theirs is truly a unique style, the ethnic matrix Piedmont is alive, but their music is a bit 'of everything: starting from folk to jazz and you arrive, passing by the funky and Balkan music, without forgetting the 'significant influence of classical music. People are crazy: dances and goes wild in the rain.
are all excellent and the public no matter the musical history behind the tools used, are the first direct Abnoba and point to them, very nice. In fact, do not take themselves too seriously, while showing off a technique and an irrepressible force of composition (an artist who collaborated with the likes of Paolo Fresu, jazz musician of international fame). The
Abnoba are therefore a better reality, where love for the Piedmont tradition blends well with the desire to do something new today.
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