32 Weeks Pregnant Sharp Pain Above Belly Button

31, the article more 'CHALLENGED: THE GREATEST HITS from Cologne MONZESE FROM IDOLS TO TURN THE SOUL scapegoats

1993: the dawn of Italian rap. Pop out two kids are 21 and 27 years, with a great desire to make music, are Aleotti Alessandro and Luca Perrini, J Ax and DJ Jad, also known as Article 31.
were the years of the pioneers of the genre, the success of the first, before dissing the years in which the credits at the bottom there are still albums Radical Stuff, Neff and DJ Gruff, a far cry from years of bitter situation shortly after.

The first album, Road Town expresses the desire of two boys of Milan to make music and get personal with people by sending them a message. It 'also the strong desire to define their music as much as possible and this need is particularly evident in pieces like: I'm talking about, Dj Jad, That's our style and Rapper.
is still a hard rap and the component of the complaint, especially in recent years, it is never minimal, and salt in a chair in pieces such as city streets, fuck censorship, the law of retaliation and Pied Piper.

itself deserves a special mention here touches a piece of pure fun in the name of double meanings and words changed in half to get comic effects achieved perfectly:

1994, Willie Nelson is a bit 'most tattooed before, much less than now and the credits are still Radical Stuff but begin to disappear Neffa, Deda and, above all, Dj Gruff with which you will soon clashes official .. Exit
vespiri Mass, with the two boys dell'interland Milan want to express a message of fun and spirituality.
become famous for this Album Maria Maria and I want a dirty, in fact, the tracks seem more genuine, while the rest of the album sounds a bit '"pulled" .. Perhaps too little time between the first and second disc ..

Skip a few years and the album comes to consecrate the first time, for better or for worse, the items to the general public as it is, year 1996, there are certainly more mainstream sound, but also texts from the considerable value on all the 2030 masterpiece, which sweeps any criticism instead to pieces like Funky or Funkytarro ..

Also notice the track There is no remedy, where does the whole mood of the group raps and where, for the only time, but Dj Jad

1998, no one comes out, even disappear from the Radical Stuff thanks, also because Kaos One, former member of the same, in recent years put down many dissing against the Milanese duo to make us almost an album ..
No one is an album interesting, cool, strong desire to respond to many criticisms received queso period, in fact almost all contained in one piece, but from the title track, Nobody, indeed, beyond that chunks fully representative (Rebirth) and numerous collaborations with members of the crew, the Spaghetti Funk, who in this period is delineated better (Good blood does not mind, go looking, there's no alarm clock) or sample of collaborations and musical artists (like Gianni Morandi, Bob Dylan, Ennio Morricone)

The sound is more personal, modern, musical maturity and the Article shall be valid from the perspective of the texts, mixing the two components in a successful combination.

One year and out xche yes!, Fifth and last album the group strictly rap, I stop by tomorrow and Italian average, where the influence of pop-rock will be much stronger .. Album
who wants to head off attack and surprise, violent lyrics, vulgar, of "bad taste" to break the mold, not to be labeled, all of which emerge clearly from pieces such as bad taste, in fact, my advice, Luna Park and mental Ouh! Yet it loses sound half-commercial already proved, above all, as it is.

Cut. Tomorrow I'll stop and leave the average Italian, who turn away from genre to slip in and pop influences rokkettare.
This change, then even more remarkable by the division of the group and the route taken by Willie Nelson, in my opinion is not relegated to advance the group through the maze of involution, but should be seen precisely as a turning point and an attempt to break new ground, from which evidently is the most inspired and along which an artist thinks of finding new incentives to make good music and communicate emotions to listeners. I am always opposed to a priori judgments thrown on changing gender groups, although I do not appreciate the last two albums the group and feel that in some respects there was in fact an involution, but this is not implicit in the musical turning .. I hope other listeners will appreciate rather than more recent albums and continue to support two children who, for better or for worse have been pursuing their passion and emotions are transmitted to millions of people!



Paul Angeletti