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Before saying goodbye ....

I leave you with a list of the tracks currently on the premises of Calabria dance anymore ... and not a classification as objective as possible, whose positions are a mix of "personal taste" and "the power of aggregation of the song" ... Here

HIT CHART LAITHAUS DJ:

1) Desaparecidos - Fiesta Loca
2) Pitbull - I Know You Want Me
3) Javi Mula - Come on
4) Spankers - Sex on the beach (Paolo Ortelli and degree extended mix)
5) Cidinho & Doca - Rap das armas (Lucana club mix)
6)Bob Sinclar ft. Sugarhill gang - Lala song (extended version)
7)R.I.O. - After The Love (Original Mix)
8)Fedde Le Grand feat. Mitch Crown - Scared Of Me (Extended Mix)
9)David Guetta feat. Kelly Rowland - When Love Takes Over (Laidback Luke Remix)
10)Laurent Wolf Feat. Eric Carter - Explosion (Club Mix)
11)Axwell, Ingrosso, Angello, Laidback Luke - Leave The World Behind
12)2 Someone - Love me (lanfranchi and marchesini remix)
13)Maurizio Gubellini - Insane
14)Sgt Slick & Rob Pix feat. Bright White - Behind The Sun (Cristian Marchi Perfect Mix)
15)Juan Magan Feat. Bodytalk - Akordeon De La Vida (Marcos Rodriguez & Josepo Mix)
16)Bacon Popper - Free 2009 (Mat's rmx)
17)Guru Josh Project - How Does It Feel (Club Edit)
18)Max Moroldo, Frankie Gada, L.e.s. - Aqua Marina (LES & Frankie Gada Dream Extended Mix)
19)Steve Angello - Isabel (Original Mix)
20)Max Zotti - Shiver
21)Nari & Milani Feat. Max C - Disco Nuff (Cristian Marchi Perfect Remix)
22)Marchesini farina ft. max b - Majestade real (trompeta mix)
23)Cristian Marchi feat Dot Comma - Disco Strobe (Cristian_Marchi Perfect mix)
24)Sunrider - The bomb (Electro Mix)
25)Lanfranchi & Marchesini - Boys & Girls
26)Mattara - Dream of my life (Andrea t. mendoza vs. mattara extended)
27)Sagi Rei - L'Amour Toujours Samuele Sartini bootleg mix
28)Molella - Be my queen
29)Marchi's Flow Vs Love Feat Miss Tia - Feel The Love (Cristian Marchi Main Extended Mix)
30)Alex Gaudino & Steve edwards - Take me down (to the water) gaudino and rooney original mix
31)Juan Magan - Mariah (Original Extended Mix)
32)Cunnie Williams Ft Monie Love - Saturday 2009 (Alex Gaudino & Jason Rooney Remix)
33)2 Brothers on the 4th Floor - Dreams (Alex dubbing dub mix)
34)Sam-Project - Love shine
35)Alex Guesta - We'll Be Free (Alex Guesta Club Mix)
36)Stylus Robb and Mattias - Wow (original mix)
37)Nicola Fasano vs. Outwork feat. Mr. Gee - Elektro Fasano South Beach remix
38)Chocolate Puma & Bingo Players - Disco Electrique (Revisited Mix)
39)Daddy's Groove-Bleeding Heart (Club Vocal Mix)
40)Fedo feat Ask - Gipsy Fedo Mora main mix
41)Jean Claude Ades & hard rock sofa - English harlem club mix
42)Inna - Hot (Club Version by Play & Win)
43)Spit - Your freedom
44)Global Deejays Feat Rozalla - Everybody's Free (2009 Club Mix)
45)Alex Elle & Mirco Berti - Tan Gold (Truca Mix)
46)Laera - Odissea Mediterranea (Original Mix)
47)Mla - applaud and laugh (original mix)
48)Guesta & Pain - Voices
49)Dave Darell And Hifi - Flash 2.9 (Dave Darell Mix)
50) MPG - Gulls


I wish you all a good summer of fun, rhythm, and of course the SOUND!

your
Laithaus DJ

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Vis Musicae, with Thomas in the heart.

there are less than two months, namely September 13, will be the past two years since Professor Thomas Russo has left us.



This was pointed out that Prof. Thomas Gambarara covegno held in Siena in the 10 days after his disappearance. Today

Vis Musicae want to remember who did so much for the language of signs in Italy. I want to remind everyone, even those who could not know the Russian professor, what he did for Lis.

1995 - proper names and identification. Peirce, Wittgenstein, Levi-Strauss and some
contemporary linguistic theories.

1997 - "The proper names in sign language, or name signs," in "LIS: Research experiences and research on sign language in Italy."

1997 - Signs names and cultural identity in the deaf community in Italy ", in" Culture of gesture and culture of the word. Anthropological journey into the world of the deaf. "

1997 - "iconicity and metaphor in the LIS. In "Philosophy of Language. Theory and History "

1998 -" Iconicity and metaphors in Italian Sign Language poetry: the functional shift from phonological to morphological parameters values \u200b\u200bof sign elements. "

1999 - "Italian Sign Language (LIS): text corpora and notation systems.

2000 - "Images and metaphors in spoken languages \u200b\u200band marked. Semiotic model and applications to LIS (Language Italian Sign)."

2000 - "Sense and consciousness of the senses. Some reflections on sign language.

2000 - "Signs name and personal identity in the LIS.

2000 - "Presentation".

2000 - "Summary of the poems."

2000 - "The crosslinguistic study of poetical texts in vocal and signed languages: productivity, redundancy and form-function relations in a LIS (Italian Sign Language) poem."

2001 - "Italian Sign Language (LIS) poetry: iconic properties and structural regularities.

2001 - "deaf and deaf-blind: theories and state of the art.

2002 -" Visual Music in Italian Sign Language: an invitation to discover a poetic universe unknown ".

2002 -" Language and Perception The sensory basis of linguistic communication. "

2002 -" Antinorma poetic rhythm and metaphor, between languages \u200b\u200band sign languages Voice.

2002 - "Summary of the poems."

2002 - "Systems anthroponyms and personal identity: notes on the semantics of proper names."

2002 - "Proper Names".

2002 - "The symbolic species.

2003 - "as ipoicone Metaphors in sign languages \u200b\u200band the languages \u200b\u200bspoken."

2003 - "Metaphors and understanding between signs, gestures and words.

2003 - "Sensi individual and shared meanings: sensory disorders, speech and symbolic play AUTOPHASE SEQUENCING.

2004 - The map resting on the island. Iconicity and metaphor in the language of signs and languages \u200b\u200bspoken.

2004 - "Iconicity and Productivity in Sign Language Discourse: an analysis of three LIS discourse registers.

2004 - "How is made a sign language."

2005 - "Metaphors as ipoicone. The size of the iconic metaphors in spoken languages \u200b\u200band sign languages. "

2005 - "Comment on" Children Creating Core Properties of Language: Evidence from an Emerging Sign Language in Nicaragua ".

2005 - "disorders of cognitive development and communication."

2005 - "Stereo substandard writing and syntax of Italian teenagers: a comparison between the textual strategies and syntax of deaf and hearing Romans. "

2005 - Crosslinguistic, Cross-cultural Analysis of Metaphors in Two Italian Sign Language (LIS) Registers. "

2005 - "A lexicon of frequency of the LIS.

2005 - "Formation of words, visual-gestural and grammatical classes in Italian Sign Language (LIS): data and unanswered questions."

2005 - "Language and Hegemony in Gramsci."

2006 - Review by: Tullio De Mauro, translation, introduction and notes by F. De Saussure, unpublished Writings in General Linguistics, Roma-Bari: Laterza, 2005. "

2006 - "in ritual and divination." 'Forms of Life. "

2006 - "F. de Saussure, unpublished Writings in General Linguistics.

2006 - "Representing signed languages \u200b\u200bin written form: Questions That Need to Be Posed."

2006 - "Metaphors and blending in LIS (Italian Sign Language) discourse: a window on the interaction of language and thought. "

2007 -" GM and the Italian press (2003-2005

2007 - "The Language of Signs. History and Semiotics."

2007 - "Catastrophe and irony."

2007 - "The ontogeny as first Philosophy"

2007 - "On the formative language of the sign written in Saussure De l'essence double du langage ".

2007 - "Implicit and intentionality. The intersubjective dimension of intentionality in the speech fragmented or reticent. "

2008 - "Diagrammatic Iconicity and Imagic in Verbal and Signed Languages."

2008 - "Dimensions of gesture."

2008 - "Metaphors in Sign Languages \u200b\u200band Gesturing in co-verbal".

2008 - "Asymétries du signe: outils, gestes, mots / signes."

2008 - "Irony: emotions and horizon of consciousness."


leggerte As Thomas has studied and written extensively, who is the scope ep really did much. So thank you Thomas.

I would also "specify" a language on a video-dizoario LIS. Very useful.

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The microphone ... and her sister, the headset

The first is the vehicle of communication between the speaker's voice and the people of the night, not waiting for a sign from the vocalist to give vent to their passions, energies, feelings and emotions.
The second is that, attached to the mixer, creating a dimension in which the DJ is isolated and in which his only companion is the music. And 'this, after all, that we live dj music and emotions.
The microphone gives life to an art: to convey with your voice. A real voc-action, and the game of words is not random. It 'an action that is accomplished by means of voice, this is true. But first it must come from within, from what you are trying really, that you have the desire to generate impulses and the desire to have fun in the people belonging to the dancefloors.
The headset is the one which makes the sound the only ideal of life, when cue up a piece before putting it in beat with the other we have a preview of everything that will happen 5 minutes after: the best thing is that we are the only ones who know what the next piece! The most attentive listeners will recognize, perhaps, the piece the first kick drum (as I do when I'm not to be behind the console, but on the track) but, outside of the DJ, there's no one else who knows (or at least expect) what will happen later The sound through headphones, in fact, unaware of the track until the volume slider will not be raised. It 's just at that moment, in fact, that is the "transition" from one disk to another, from emotion to another, from one story to another.

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vismusicae09.blogspot.com /


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Many, Many, Many more ...

you ever been in a disco? Have you ever realized how many beautiful things there? There is a deejay, a vocalist, dancers if you go into a local well-known and popular, a lot of people like you who enjoy a bell'impianto audio and a console, structured with the features that I just discussed in previous posts. Plus? Very. But really. First, lighting equipment. You know all those lighting effects that sparaflesciano the brain while dancing? Those Exactly!

The light disco par excellence is the strobe. We are talking about the lamp that sends pulses light to very powerful d intermittently (usually white). much more expensive and many are, instead, moving heads: connect through a switch, the headlamps are attached to one or two arms can project different lighting effects by rotating 360 degrees over the considerable speed. Among the best brands to report Proel JBSystem and Martin. good alternative to the moving head is the scanner, but it can also become very good at the first shoulder when it comes to a room size a bit larger. The scanner is a light with a mirror on which the beam is directed, moving gereral left-right top-down to about 170 degrees. Even these will serve as a control for their operation. Usually, when buying, because there is a tendency on the cheapest scanner: in fact, they fluctuate between 150 and 1000 € cost, while moving heads between 400 and 3000. The price difference is not a case for two reasons: moving heads can get a much better visual effect and then cover more space, as rotate 360 \u200b\u200bdegrees.

Another object is very present in the smoke machine dance floors. The only club that can break without any risk the dreaded "NO SMOKING" (I figured that if the premises of our Calabria is respected, while the North in many cases, we kicked ass). Through a special liquid it is able to create the smoke that is to create a rarefied atmosphere, but sometimes, even a little dangerous for those whose eyes are very sensitive. But, above all, to which I have not talked about is him, the king of the evening, the object through which the voice becomes the mistress of the night: the microphone. So why not dedicate a post just for him?

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digress ...

13:46 of the July 17, 2009: At this moment my hi-fi passes with Stratovarius Kill The King ". Who am I? Simply a power-metal group best known in rock history. I'm listening to them because when you write are very nervous. And often when I play this music in anger.

today made me very upset by that.
But she is always there: music, unique and faithful companion for life, at any time, no matter what mood has taken hold of you.
This is, for me, music. But not only likely to say that everything is not intended to make the idea I have of it.

Since the tender age of 2 years, I was raised on bread, Mina, Gianni Morandi, Adriano Celentano and Pooh, I decided that music would have been my biggest passion. Soon my interest became so great that my desire to swallow more knowledge as possible about this world became increasingly uncontrollable. Discover the great myths of pop and rock, Michael Jackson, Madonna, the Queen to Pink Floyd to the Eagles, passing for AC-DC, Nirvana, The Beatles and the Rolling Stones.

At age 11, broke a great passion for dance music. I still remember the cost thousands of pounds to buy the old Hit Mania Dance compilation mixed by Mauro Miclini, of which I still remember by heart most of the steps! Above all, remember when, I think in 13 years, for the first time I touched the Technics SL-BD 22, the historic Flat belt of my brother. Since then I decided that the DJ would be my second identity: Laithaus chose as the name of art, almost a tribute to my brother. I found Mr. Hyde from Dr. Jekyll to replace my student.

And now when I miss two days to get to 21 years, what music?

The music is when I close my eyes, and every note or every lap guitar or piano, I imagine a world in which my mind travels with no return until the end of the piece.
The music is when, in victory or in defeat, in joy or in sorrow, in the car or at home, with friends or alone, I turn on my system and I agree with every type of emotion that can exist.
The music is when I wear my headphones and grab the microphone and enter my ideal world, made up of people just waiting my way to give vent to their desire to have fun, to jump and raise their hands to the sky . And what will happen tomorrow is always different, whereas the previous day is another story.

But above all, music is what's left once everything is off, the end notes that people on the track went all the way to breakfast. As Gigi D'Agostino said: "Sometimes when the music stops, I stay there to listen."

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the music I like it better when I hear it come straight from here

In its own way and in time it was a music technology.

Think of when the ancient tribes is the sound produced by hitting rocks with sticks of luck, or when they were first improvised drums with animal skins.

come to mind, so to speak, the indigenous tribes.

Compared to these cultures, these tools, with attention to every detail to enhance the sound, or are not technology?

If we want to exaggerate their own we can consider the

electric guitar ... Perhaps the last stage

technology that now has

reached our old guitar ... that does so much Hippy

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... And now? CASH!

And we're back to us, dear friends of sound!

CDJ, dishes, mixer ... ok we pitted the party on the console , we showed the part that is in direct contact with the skilled hands of DJ!
But what about the most "heavy" on the system in the strict sense, about what we can hear the sound and tone deaf ears when we go to the disco?
Well, in this post I will talk about the cases, those of which many are afraid, because i have very sensitive ears, or those to which many flock to give a connotation of devastation to their evenings.

In technical jargon, the case is referred to as a "speaker," and is not more than a transducer (or a combination of several units transducers) that converts the acoustic signal from an amplifier.

Inside the box are placed the speakers , whose knowledge can be of variable size and power. Over time, the transducers were continuously improved to allow the human ear to experience all types of possible frequencies. In fact, the speakers have more " way", or more transducers that reproduce more types of sounds. These are divided into:

- Subwoofer , which reproduce the low frequencies and very low (usually below the 120 Hz);

- Woofer , reproducing the mid-bass;

- Midrange (mids);

- Tweeter (treble or mid-high);

- Supertweeter (very rare for high frequencies).

Usually, the subwoofer is a model of cash in its own right, very large with a huge cone that reproduces frequencies powerful.
As for the case itself, we prefer the system to 2-way (tweeter and woofer, respectively, for medium-high to medium-low) or 3-way (tweeter, woofer and midrange). More rare 4-way system.

Speaking amplification that converts the electrical signal into acoustic signal, it can be either internal or external to the case, being in this case a stand-alone unit, to be connected to bypass the counter and then on a mixer.
In the first case we speak of active cases , the second speaker passive. It 's true that in the latter case is exercised through the connection of the amplifier, a more direct control, but this system came into disuse, replaced by more practical and less cumbersome to use active speakers.

And as always, after the technical description, we go to some well-known brands in the industry.

Turbosound : models "heavy", with very high watts, which are specialized for optimizing the low frequency and medium-low;




Montarbo : Italian brand c he guarantees high quality, used in clubs throughout Italy.

Wharfedale ensuring reliability and high performance from England. Usually optimistic about performance on medium-high, a little less on the low frequencies. I own a pair of Wharfedale Pro 300-watt RMS (RMS, not peak) and I must say that I am very well, because they cover a huge space, but to make it more complete application always a subwoofer support.

JBL : brand initially known for its well-known successes in the automotive and hi-fi, but very recently estimated at the level of dancing.

FBT : many considered the best brand in the world in the field of loudspeakers, and this resistance to both performance and reliability. My Gold Line 25 is a beauty that still beat after 14 years!

RCF : brand known not only for its high reliability, but also for its "systems" or clusters of cases used in live performances and concerts.

DB - Proel - Mackie : other well-known brands in the industry, emerging, offering performance and low cost.

short, plenty of choice is remarkable. The sound is ready to be unleashed, and in the small hours of the premises begin their battle to the sound of watts .......

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It 's a console or a mobile phone? Help me, I'm lost!

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The Disk Jockey, a history spanning over 100 years.

As early history of the DJ?
This figure that gladdens our disco nights, when he appeared for the first time? Some
DJ coincides with the birth of the first experiments in radio, when the pioneers of the gramophone radio transmissions linked to the transmitters.
But in fact the beginning of the figure of the opening of the first Discoteque DJ dates in France during the Nazi regime. In these places were passed discs Jazz and Blues from overseas. Occor a person to select the disks to be passed and this person was the DJ. We must say that the term was coined in America in the DJ sessanta.All years' start the task of the DJ was simply to put one after the other discs (purchased from local) and make alerts with the microphone. The DJ then received a salary equal to or less than that of a barista.Negli '70s came the Saturday Night Fever, and disco. Along with disco, DJ increasingly gained prestige and became the architect of a successful event and good reputation of a place. Then came the time of the Loft and the club became a place of love for music where people came to be carried away by atmosphere created by the DJ. In Italy in 1975 Miki Ciak of Bologna was the first to make the public aware of the American musical genre with his great technical ability in the mix only comparable to the best DJs from overseas. In fact, the Americans were the inventors of the House that gave the movement "the" in one gigantic line of electronic music, produced by the DJ himself. Since then the DJ took over the role of investigator as well as sound mixing with the introduction of the tightrope walker in the mix "in joke", a technique that is perfectly matching the beats of time of two drives in sync. In the mid-80s came Carl Cox, who was one of the few to use in an evening of three dishes, two to mix and one for create effects, or insert in the selection of versions a cappella songs to create real remix live. Finally, the DJs in the nineties, now popular, they became the idols of the clubbers who took to move from one city to another or from one country to another to follow their favorite DJ.

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Who is the vocalist? You can call

... and write it in the papers that are a generation of overwhelmed, which have no saints nor heroes. But if they are saints, we do not just have to make SUPER HEROES ...

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Sifting through here and there among the blogs I found interesting information, useful to better track the shape of which we speak to you about ...
Over the past 10 years a new profession has found its way inside the console of the night clubs throughout Italy. This is precisely the vocalist. The Vocalist is nothing more than an entertainer, a figure that is to create and keep warm (and of course in symbiosis with the DJ and his music) the atmosphere of the room, accompanied throughout the evening (or rather the night ...) the people dancing on the track or sitting at tables on the track with his voice, waving to several customers and friends and make gasarli
protagonists, and urging customers to let go to the music.

vocalist is now regarded as one of the Dj character essential to the success of a good time. Obviously the work of the vocalist is not all "pink flowers", but there are also many responsibilities, because it holds a very powerful tool in the media (the microphone) and then must pay close attention to what is said , because it is clearly heard by all. Obviously, the vocalist professional must avoid making political references, racist and that could affect someone in some way. Even more have those responsibilities vocalist working in live radio, in those places where the event is broadcast aired on a local radio station or a national network, because people who hear his words will be many more ...

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reflection ....

The music enters the skin, gives way to the desire to relate to other people, things, with emotions, with the world!



The music is a poem that "goes" everywhere we go: in bars, at home, in a restaurant, car, gym and also allows us to isolate ourselves from a situation that there Like!
Making music is an art, an art space without time ...
The music is a friend in whom we trust, in which we support and in which we identify ourselves!
Why not?!
Behind the music behind and all that it represents possimo hide why do not yet able to discern what is possibly directly must live!



Maria Laura.

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THE CONSOLE

Step 3: The mixer

We talked about the "tools" through which songs, or "sound", to use an expression very dear to us dj is playing. But we have not mentioned yet an indispensable tool to make sure that the sound is channeled and can be made audible through the use of monitors and speakers following commonly called speakers , Which I will, of course, in later posts.

We are talking about mixer that, as mentioned earlier, it is useful to mix sounds audio and channel it on various channels.
mixers are different from each other in many ways, the most important of these are undoubtedly the sensitivity of the controls and the number of channels .
It 'obvious that the mixer has directed a number of channels much higher than a mixer for DJs! These, in fact, usually never more than 8 channels, given the smaller number of devices to be connected to it.



What can we connect to a mixer?
Simple: microphones, CD players, courses, but also amplifiers and musical instruments (especially the sound studio or director, arriving to 64 channels). The type of cable used can change from one device to another: the cannon (low impedance) is usually used for microphones, the jack (high impedance) is typical of the amplifiers or keyboards, RCA are those of the dishes or CDJ.

As always, I can not leave without having given examples of sound and some tips for buying.

The leading brands in the industry, with regard to the DJ mixer, are many: Ecler, Vestax , Behringer, Gemini, Stanton and so on.


However, in my opinion, those are two sweep any type of competition: Pioneer and Allen & Heath .


DJM 400 : This is the name of my mixer that I use today during my evenings. A solid model and indestructible matter, Pioneer means guarantee in this industry! 2-channel + 2 mic inputs, digital beat effects and the possibility to record short samples in the loop! The minimal compared to other more sophisticated models, but also indispensable for those who play in small venues and need a reliable and secure.



Pioneer also offers the infamous DJM 600, 4 channels as well as DJM 800, which, however, has a revolutionary feature: the recognition of digital channels!



But we move to Allen & Heath: This brand specializes exclusively in the production of mixers and usually directed at those who occupy the console of some importance, but nevertheless also produces models' small 'as the' X-One 22. The X-One has gone down in history now: I do not dwell much on the enormous range of models, but I mention only two horses in the series: 's One-X-62 el' X-92 One . The first, a wonderful 6-channel mixer, voted best club installation mixer for 3 consecutive years, the second, 4 channels plus 2 microphone inputs, as reliable as few elements in the field.


In summary, my advice is based on "caliber" of the DJ: If you guys they want to start and have a few stalks by hand, you can also opt for a brand of a slightly lower level, such as a Behringer or Vestax, models that have "quiet" as the Behringer DJX 700, which is not is pretty good and is affordable.
If you are a TOP DJ'S, then you can not help but go for a Pioneer or Allen & Heath, keeping in mind the needs of your console and your host!

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The Console
Step 2: the "flat"

And after the CDJ the pot. I wanted to start with the modern and then take a step back to the 'old' but which will never disappear from the minds of purists and not just because so many times the real disc jockeys are considered the ones who started with good old "record player" or those who use them yet, despite the enormous waste of economic resources to procure the vinyl records. Who can afford it, it does so with great happiness.

The dish, said: This pioneer of the dance floor has basically two types of traction - the belt drive or belt drive, still in use in the best equipment, and Direct Drive, which is in f ar turn the platter by directly connecting the engine to his tree.



leader in the field, needless to say, once again Technic s. SL BD-22 is the model name of the first belt I had the honor to maneuver. Model is very dated, but indestructible, high-quality reproduction.





Now here's SL-1200: the standard plate by Technics. Nearly 4 million units sold since its release, a must for all DJs. Anyone who has launched in this area has certainly familiar with such an object! The 1200 are considered the most reliable turntable ever and some of the 70 models are still used today!





will be true that evolution has led to a devaluation of the role of the pot ... but believe me ... the lust that you try to play with the turntable does not test CD players. It 's like the piece live in a different way, like being on another planet, really! The fact that you can touch the sound support with the hand testimony. And then, says an old saying: the first love ... do not forget ever!!

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THE CONSOLE
STEP 1: THE CDJ

A sound of cats,

as promised I will speak in the next post from this, each component of console dj in case.
I will stick to any order of importance, because it will not any, because each piece to be used is essential to allow a DJ to move the music.

The first component of which I speak is the CDJ .

easily understand how the initials, CDJ is a contraction derived from the terms compact discs and disc-jockey . Your use of the DJ CD player has gradually replaced that of the dishes (which I will devote a large space later) for several reasons: among them, the spread of the mp3 format and, consequently, the futility (by many considered such) to spend hundreds of euro a month to make sure the vinyl, when a sem plice Internet connection you have all the music in the world.

functions at which a CDJ differs from an ordinary CD player are many, but among the most important we remember:

- the BPM counter, useful to read the execution speed of the track in terms of beats per minute;

- the Pitch Control, which adjusts the speed of slowing down or track;

- the jog wheel, which you can achieve with your fingers something similar to what was possible do with small taps of the fingers touching the disk on the plate, slightly faster or slower pace. Besides this, through the jog wheel and some internal functions to the same effect CDJ, you can play sound effects or change the implementation of the disk;

- Master Tempo, which allows to keep its tone despite the hard acceleration or deceleration of it.

This regarding a technical description of CDJ. Now we come to the recommendations for purchases. Yes, because if some of you were mad at me nte to get the console, least give him some advice.

I started with a couple of OMNITRONIC CDT-300, a basic model that would define him as a compliment. Without effects, hardly had the jog wheel. But they cost a trifle, and as I was poor as a seller of pork in Arabia, they are with me meadows.

Later, I bought u n pair of Pioneer CDJ 100s . These are the basic model of the Pioneer, have bit chissimi fact, do not have the loop (repeater of characters) as the more advanced models, but do not do anything even if you throw in the sixth floor of a building.






Now, I'll show those who would like to buy soon. The Pioneer CDJ-400.


The last born of the house Pioneer's flagship technology for dj really have it all. New effects, but different system of loops above all, very importantly, the ability to enter inputs via USB mass devices. Would take a pen from 4 G B to eliminate even the good old, hard suitcase.




I 100s and 4 00 are only two models that the Pioneer offers. There's also ono mo to have the different depending on the features, like the CDJ-200 , the CDJ-800 and CDJ-1000 . For all cards techn ic, log in here .

The only non-Pioneer model on the market very competitive and very profi CuO in terms of performance is the Technics SL-DZ 1200 (the second image I quote), constructed with a very simple design reminiscent of the plates of the same manufacturer. An object, therefore, that guarantees the utmost professionalism.

In summary, if you want my advice, buy Pioneer, depending on your needs and also, why not about your ability. If you really do not digested the Pioneer brand, bought the Technics SL-DZ 1200. But do not let money problems: Is it worth spending the money, because once you make a purchase like this, you should last for years. Must be a long-term investment, otherwise you will be forced to continue repairs or, worse, risk being "on foot" in the middle of an evening. Models such as the Pioneer or Technics, trust those who have some experience in this area, never abandon you.